Music and gender identity rolled into one. One small step forward…!
The game is afoot.
Or, rather, it’s now officially afoot. If you’ve been following my music for a while, you’ll already know that I have a bit of a thing about how ideas around gender – and gender discrimination – work in the musical world. So, from January, I’m taking that thing and turning it into a performance doctorate at the Centre for the Study of Music, Gender and Identity (MuGI) at University of Huddersfield.
It’s something I’ve wanted to do for a long time, and I hope it’ll pique the interest of some of you reading now. Why does one type of person end up symbolising ‘the composer’ or ‘the artist’, to the exclusion of others? Why do some pieces of music enter the canon and not others? What do audiences hear, when what they see is interpreted along culturally conditioned gender lines? How does the gender (actual…
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